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October 11, 2015

None of the women featured in Paula Hawkins’ thriller The Girl on the Train are particularly likable. Rachel, the main character, is a drunk. Anna stole Rachel’s husband. Megan has panic attacks and sleeps around. Their careers aren't particularly important to them, but they feel incomplete without a man (or men) in their life. And those men aren’t peaches either.
 

Hawkins’ choice of narrative style also gave me pause. Each of the women tells their part of the story in first-...

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I write mostly speculative fiction. Usually fantasy, with historical elements mixed in. Sometimes there's a bit of mystery too, or (shhh!) even a little romance.

 

But it's weird—it's always weird. Consider yourself warned.

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