Podcast Review: Wolverine - The Long Night, by Marvel

One of the most interesting things about Marvel's narrative podcast Wolverine: The Long Night is that Wolverine is barely in it.

Cover of Wolverine - The Long Night, by Marvel.

The story is set in the fictional town of Burns, Alaska, taking place before Logan (aka Wolverine) joins the X-Men but after he's escaped the Weapon X program that lined his bones and retractable claws with adamantium, a nearly unbreakable metal alloy. Instead of following the gruff anti-hero as he struggles to find a new purpose, however, The Long Night is (mostly) told from the perspectives of two federal agents trying to find him.

This approach provides a slow-burn introduction to Logan that isn't entirely necessary—anyone pressing “Play” on the podcast probably already knows something about Wolverine (one of Marvel's most-popular characters). But the secondhand vantage allows for a compelling mystery while the agents sort out whether the shredded bodies piling up in Burns are the handiwork of Logan, a grizzly, or something more sinister.

The production values are excellent. The Long Night is written to be heard and brought to life by strong voice talent and atmospheric sound effects. Since there's no narrator, the agents direct the story, often via flashback as their reports to each other turn into dramatizations of key scenes.

I'm not sure I loved the ending. It left a few threads dangling and resolved others in a way that made their earlier prominence feel unjustified. But the big twist is fun (although ironically, it may not have been foreshadowed enough for those who aren’t familiar with the X-Men universe), and the first season's arc kept me engaged through a long car ride. I'll definitely give season two a listen once it's complete; tracking Wolverine through someone else's point of view turned out to be an experience well-worth repeating.


 

Listen to Wolverine - The Long Night on: Stitcher


For more reviews like this one, sign up for Nick's monthly newsletter.

422 views
Cover of the historical fantasy novel Witch in the White City, by Nick Wisseman.

"... a wild ride sure to please lovers of supernatural historical mysteries."

Publishers Weekly

 

Neva’s goals at the 1893 World’s Columbian Exposition in Chicago are simple. Enjoy the spectacle—perhaps the greatest the United States has ever put on (the world’s fair to end all world’s fairs!). Perform in the exposition’s Algerian Theatre to the best of her abilities. And don’t be found out as a witch.

Easy enough … until the morning she looks up in the Theatre and sees strangely marked insects swarming a severed hand in the rafters.

Available on: Amazon | Barnes & Noble | Google Play | Other Platforms

Cover of the literary novel House with a Blue Door, by Nick Wisseman.
Cover of the fantasy and science fiction anthology Outcasts, by Nick Wisseman.
Cover of the historical fantasy novel The Red Wraith, by Nick Wisseman.
Cover of the historical fantasy novel The Black Resurrection, by Nick Wisseman.
Cover of the historical fantasy novel The Amber Revenant, by Nick Wisseman.